본문 바로가기
대메뉴 바로가기
Gwangju National Museum
LANGUAGE
korean
Chinese
Japanese
HOME
전체메뉴
SITEMAP
Gwangju
National Museum
LANGUAGE
korean
日本語
中國語
Visitor Information
Visitor Guide
Facility Guide
Directions
Exhibitions
Permanent Exhibitions
Special Exhibitions
Education
Education
Cultural Events
Collection
National Treasures
View
Duplication
Academics
Asian Pottery Culture Research
Excavation Surveys
Publication of Reports
About Museum
History
2021~
2016~2020
2011~2015
2006~2010
2001~2005
1991~2000
1977~1990
Organization
닫기
Gwangju National Museum
역사와 문화가 살아숨쉬는 국립광주박물관
Special Exhibitions
HOME
Exhibitions
Special Exhibitions
프린트
SNS공유
페이스북
트위터
블로그
카카오스토리
닫기
URL
Current/Scheduled Exhibitions
Past Exhibitions
게시물 검색
Total posts
120
,
Page
1
/ 12
All Periods
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
페이지당 게시물수
10
20
50
100
Apply
Scheduled
Companions on the Eternal Journey: Earthenware Figurines and Vessels from Ancient Korea
Period
2024-11-11 ~ 2025-03-10
Location
Special Exhibition Gallery
Supervised by
Gwangju National Museum
내용
The Gwangju National Museum is pleased to present the Special Exhibition "Companions on the Eternal Journey: Earthenware Figurines and Vessels from Ancient Korea". The Figurative pottery and clay figurine-decorated pottery used in the funerary rituals of Silla and Gaya contain valuable information on how ancient people lived and how they perceived the afterlife. This exhibition presents approximately 262 pieces of Figurative pottery and clay figurine-decorated pottery. We invite you to come to the exhibition and hear the stories told by the figurative and clay figurine-decorated pottery which, around 1600 years ago, acted as special companions to the deceased on their journey to the afterlife.
Closed
Ceramics, Embracing the Aesthetic Enjoyment
Period
2024-06-21 ~ 2024-09-26
내용
Ceramics not only occupy space as they are located and used in certain places, but themselves can also represent a space. Engaging with these characteristics of ceramics, this exhibition explores ceramics and space together under the theme of pungnyu―aesthetic enjoyment.
By definition, the word pungnyu, translated here as aesthetic enjoyment, means “to enjoy [nature and arts] in an elegant and tasteful manner.” The literati of the Joseon period engaged in gatherings for aesthetic enjoyment in nature and took pleasure in sharing tea and alcohol, composing and reciting poems, and listening to music. This exhibition seeks to illuminate the culture of aesthetic enjoyment in the Joseon Dynasty by exploring various pavilions in the Gwangju and Jeonnam region that served as representative sites of aesthetic appreciation, along with a rich array of ceramics that each embodied an ideal space.
Pavilions at the foot of Mudeungsan Mountain were gathering places for local intellectuals to engage in academic study and literary exchange. At the same time, they were also places of aesthetic enjoyment, where the literary would gather to write and read poetry while enjoying alcoholic drinks and tea. The ceramics used in the pavilions were a medium that helped foster a culture of aesthetic appreciation and discussion. Furthermore, ceramics themselves were reimagined as spaces of aesthetic enjoyment. The milk-white surface of white porcelain served as a canvas through which to express one’s aesthetic ideals, decorated with a landscape, a lavish array of rare and valuable items, a scene of one’s own front garden, or an image of precious flowers and plants of virtue.
We invite you to a space where you can appreciate the elegance of the Joseon literati through ceramic vessels of aesthetic enjoyment and find comfort and pleasure amidst busy lives.
Closed
Tour of National Treasures: Museum for You
Period
2024-06-11 ~ 2024-09-08
내용
Jointly organized by the National Museum of Korea, its affiliated national museums, and participating local governments, Tour of National Treasures: Museum for You will be held at twelve public museums and art galleries throughout the nation, starting in June. These small but bountiful exhibitions will bring local residents face to face with iconic masterpieces that they likely recognize from media and textbooks, such as a bronzeware with agricultural designs from the Bronze Age, a splendid gold crown and a horse-and-rider-shaped vessel from Silla tombs, beautiful Goryeo inlaid celadon, and a simple yet elegant Joseon moon jar.
Representing a new type of cultural event, Tour of National Treasures: Museum for You combines precious artworks and antiquities with education and performance, offering a wealth of diverse experiences for everyone to see and enjoy. We hope that these exhibitions will enable people throughout Korea to encounter our national culture in comfort and convenience, giving them a deeper appreciation of the beauty and historical value of our rich cultural heritage.
This touring exhibition marks the first step in the National Museum of Korea’s new commitment to presenting outstanding exhibitions in collaboration with local museums. We hope that this wonderful opportunity to experience our National Treasures firsthand will enrich your lives in a special way. Thank you.
Closed
Paintings Loved and Cherished
Period
2023-09-15 ~ 2023-12-10
Location
Special Exhibition Gallery
Supervised by
Gwangju National Museum
내용
The Gwangju National Museum of Korea cordially invites you
to “Paintings Loved and Cherished,” an exhibition of late Joseon-period paintings
returned from the United States and other artworks from the era,
at its Special Exhibition Hall from September 15 to December 10, 2023.
Closed
Period
2023-04-07 ~ 2023-07-09
내용
The 14th Gwangju Biennale, soft and weak like water, takes its inspiration from a chapter of Dao De Jing, a fundamental Daoist text, which speaks of water’s capacity to embrace contradictions and paradoxes. The Biennale proposes to imagine our shared planet as a site of resistance, coexistence, solidarity, and care, by thinking through the transformative and restorative potential of water as a metaphor, a force, and a method. It invites artists to engage with an alternative model of power that brings forth change, not with an immediate effect but with an endurance and pervasive gentleness that flows across structural divisions and differences.
The 14th Gwangju Biennale explores its main theme through four subthemes. As one of the venues for the biennial, the Gwangju National Museum is presenting a number of works related to the subtheme “Transient Sovereignty.” The exhibition highlights the ways in which postcolonialism and postcolonial art developed in relation to topics such as migration and diaspora. It also introduces pieces addressing human rights violations, thereby touching on issues such as oppression and discrimination. Also presented are works closely related to the history of Gwangju, taking consideration of the spatial characteristics of the museum.
Exhibitions at Gwangju National Museum
Time April 7(Fri.), 2023~ July 9(Sun.), 2023
Place Special Exhibition Gallery, Central Hall, Multipurpose room, and Garden
Hours 10:00~18:00
Nighttime Opening until 8 pm, Saturdays
Admission Fee Free
Guided Tour with Curator
Time Wednesday, April 26, 2023
Eligibility All
Application On-site application
Exhibition-linked education programs
Activities resin art and grip toks based on the works of Yuki Kihara, writing captions for her works
Time April 22, May 13, May 20, June 17, June 24, July 8 / 14:00-16:00
Target Families with elementary school kids/30 people per session (up to 15 families)
Registration April 11 (Tuesday)~ until the session is full (first come, first served)
How to sign up Go to “http://gwangju.museum.go.kr” to sign up
* The Exhibition held as part of the 14th Gwangju Biennale being presented at the Gwangju National Museum was co-organized by the Gwangju Biennale Foundation and the Gwangju National Museum.
Closed
A Collector’s Invitation
Period
2022-10-05 ~ 2023-01-29
Location
Special Exhibition Gallery
Supervised by
Gwangju National Museum
내용
This special exhibition at the Gwangju National Museum is organized based on A Collector’s Invitation from the National Museum of Korea. Taking place in Jeollanam-do Province, which has been nicknamed yehyang (literally, the hometown of art) for its rich artistic tradition, the exhibition has been newly produced to allow visitors to explore the quintessence of Korean traditional art through a selection of ceramics, paintings, and Buddhist crafts from among the works that were introduced at the exhibition at the National Museum of Korea.
Closed
Yeosu : The History of the Maritime City
Period
2022-05-02 ~ 2022-08-15
내용
Presented here is a city intertwined with the beautiful sea.
The thoughts and concerns of the people of the past now reside as memories in the cool waters and warm soils of the city.
They include stories of people who passed every day alongside the life of the ocean, harnessed the refreshing sea breezes for transportation, constructed tombs from large stones they infused with their wishes, and defended themselves in times of crisis.
Today, Yeosu shines in the brilliant sun and romantically embraces the past. Through this exhibition, we invite you to look back upon the past of Yeosu.
Closed
Goryeo Celadon and the Art of Tea and Wine
Period
2021-12-13 ~ 2022-03-20
내용
Prologue: Goryeo Celadon and the Fashion of Tea and Wine
Tea culture flourished during the Goryeo Dynasty due to the enthusiasm and passion for tea among the royal aristocrats and scholar officials. Diverse production techniques of celadon wares also accelerated the manufacture of varied teaware and utensils. Alcohol dinking culture also thrived during the Goryeo period. Alcohol was served not only in the official royal functions but at receptions of foreign envoys and when bestowing royal gifts. The Goryeo court had a special government bureau in charge of managing alcohol. This exhibition invites viewers to discover the tea and wine drinking culture of the Goryeo Dynasty through celadon wares.
Closed
Special Exhibition ‘The mystery of Sindeok ancient tombs’
Period
2021-07-19 ~ 2021-10-24
내용
All those who have lost a loved one try to keep him or her alive in their memory. They also wish for the deceased to enjoy peace and comfort in the next world. However, we still do not clearly know how the people of the past faced and coped with death.
Here on these open fields sleep distinctly shaped burial mounds that hold mysteries of ancient history. By chance we have been presented with a key that could unlock doors to an unknown world. What had been hidden and sealed away within is beginning to be revealed.
We invite you to discover these traces of lives from more than 1,500 years ago that have been stored in tombs dedicated to the deceased.
Closed
The 13th Gwangju Biennale - Minds Rising, Spirits Tuning
Period
2021-04-01 ~ 2021-05-09
내용
13th Gwangju Biennale
Minds Rising, Spirits Tuning
2021. 4. 1. ~ 5. 9.
Participating Artists
Gala Porras-Kim, Cecilia Vicuna, Ali Cherri, Chrysanne Stathacos, Theo Eshetu, Trajal Harrell, Farid Belkahia
Participating Museums
Gwangju National Museum, National Museum of Korea, Chuncheon National Museum, National Hangeul Museum, Gahoe Museum, Shamanism Museum
Minds Rising, Spirits Tuning, the central exhibition of the 13th Gwangju Biennale features a dynamic program that includes an exhibition, a performance program, a publishing platform, as well as online and offline series of public forums that bring together artists, theoretical scientists, and systems thinkers. Directed by Defne Ayas and Natasha Ginwala, Minds Rising, Spirits Tuning sets forth to examine the spectrum of the ‘extended mind’ through artistic and theoretical means.
The exhibition in Gwangju National Museum unveils a dialogue with conceptions of death and the afterlife, reparation of spirit-objects, corporeal limits of the body as well as acts of mourning through newly commissioned works by Theo Eshetu, Trajal Harrell, Gala Porras-Kim, and Cecilia Vicuna. From the ephemeral aura of a flower mandala by Chrysanne Stathacos to the loneliness of a desert necropolis by Ali Cherri, artistic and historical works will attune to linkages of ancestry, visions of the afterlife, non-western mappings of ailment and cure, and the foundational role of the undead in shaping registers of “the real” across the world(s) of the living.
<<
첫번째페이지
<
이전페이지
1
2
3
4
5
6
7
8
9
10
>
다음페이지
>>
마지막페이지